The various different regions of this Lovecraftian realm parallel the different rooms of the family house, only the opulence of the real-world setting has been twisted and torn into wonderfully gnarly, nightmarish interpretations that reflect the inner torment the father felt during his final hours, and they’re genuinely captivating to behold.Ĭertainly one of Benedict Fox’s biggest strengths is its consistently outstanding art direction, contrasting disgusting, tendril-filled swamps with shards of stunning stained glass, and the way its engrossing otherworld eventually spills over into the psyche of a second victim brings an interesting new perspective on the old Fox’s fate that maintained my interest in the unfolding mystery. This is a representation of his father’s memories and inner demons, manifested into a physical realm to be scoured for clues that explain the senior Fox’s demise. Since dusting for fingerprints and gathering witness testimonies wouldn’t make for the most compelling of platforming adventures, Benedict is partnered with a demonic companion – not unlike Mike Patton’s shotgun-riding presence in The Darkness – that can whisk him in and out of ‘limbo’. The case in question revolves around the recent death of Benedict’s father – so recent, in fact, that his fresh corpse is still warming the basement floor of the Fox family manor at the outset of the story.
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